A Watershed Moment in Film History: The 50th Anniversary of Jaws - Part 5 (Conclusion)

 “Shark City” – “Jaws” and Memories of the Summer of ‘75

A Jaws newspaper ad from summer of

1975, featuring testimonial from

moviegoers.

By Michael Lyons

 

Growing up in the small town of Kings Park, on Long Island, New York, one of the destinations every summer was to the town pool at the Smithtown Landing Country Club.

Oh sure, Long Island was chock full of a lot of wonderful beaches, the two that I remember going to quite a bit were Callahans Beach, on the Long Island Sound, and Robert Moses State Park Beach, on the ocean.

However, During the summer of 1975, we spent a lot of time at the Smithtown Landing Country Club Pool, and so did a lot of other people. The pool was jam-packed, shoulder to shoulder that whole summer, and for one reason…

…” Jaws.”

A Jaws ad from 1975 declaring what all fans

of the film already know.

Steven Spielberg's iconic film had a profound impact in our small area of the world, Long Island, New York, and it had a significant impact on the entire world that summer of 1975. People ran from beaches and into movies theaters. And even though it's now 50 summers ago, I have vivid memories of that “Summer of Jaws.”

I was eight going on nine that summer, and I remember one night early in the season, my parents went out, and my cousin Patty came and babysat for me. A commercial came on TV. The first image was someone pounding a “Beach Closed” sign into the sand. My cousin Patty excitedly said, “I want to see this movie!”

Then, after Jaws came out, and my cousin Patty and other friends and family went to see it, it became the talk of the entire summer. However, for my cousins and friends of a similar age to me, it became a mythological thing. You see, our parents didn't think we were old enough yet to see Jaws. After all, the poster read, down at the bottom, under the credits: “…May Be Too Intense For Younger Children.”

So, we weren't allowed to go to see it, which just made us want to see it all the more! “Why not go to see That Darn Cat and Robin Hood? It's playing at the Disney Summer Film Festival?,” our parents asked.

We all settled for the magic of Disney, but Jaws was out there like this forbidden fruit of a movie.

Soon, some kids in the neighborhood did go to see it, and they came back with stories. Oh, the stories! “There's this scene where this kid gets eaten on the raft, and blood spurts up in the air like a geyser!”  “This guy's head, that's been bitten off by the shark, pops out of the inside of a boat!”

Then there were the stories that started to circulate, the rumors - people passing out in the movie theater while watching it, people having heart attacks while watching it because it was so scary. One kid in my neighborhood, who was lucky enough to go to see it, went so far as to tell me that his older sister threw up into her popcorn bucket while watching Jaws!

There were also stories in the newspaper and on TV about how local beaches were empty as  Jaws had generated a collective fear of sharks.

 This made me, and the other kids who were shut out of Jaws by their parents, beg our parents all the more. As these stories circulated, it made our parents shut us down all the more.

Then, the merchandise started to appear in stories - T-shirts, posters, beach towels. Oh yeah, I sported my Jaws "tank top" that whole summer.

Producer Richard Zanuck in 1975, with

Jaws merchandise.

Then, the summer of 75 ended, and it was back to school, and Jaws-mania continued.

Some of my classmates were lucky enough to have seen Jaws over the summer, and their stories and tales continued, recounting the entire plot of the movie. That Christmas, the Jaws game by Ideal was under my Christmas tree. And an obsession with sharks, reading up on them, learning about them, writing reports for school about them, continued.

Then, finally, several summers later, Jaws was reissued to theaters. At this point, my parents could hold back no longer; feeling I was old enough to see it, they took me. Going to the theater, sitting in the theater, waiting for the movie to start, and even when the movie started, was like going on a roller coaster that everyone had told you about. Just as I eagerly awaited the twists and turns of a roller coaster, my heart was pounding before certain scenes in the movie, anticipating what was to come.

It more than exceeded the excitement that came with it that summer of 1975, and my obsession with the movie continued. A year later, it came on cable TV. And in our pre-Betamax, pre-VHS age, I audio-taped the movie. That's right, I put my audio tape recorder up next to the speaker of our furniture-sized TV in our living room, and taped the movie, audio only. I would listen to it the way some kids listen to the latest Top 40 hits from the radio, memorizing every line.

Of course, sequels followed. But, the excitement of Jaws 2 gave way to the new excitement of the musical Grease that summer of 78. And Jaws 3D in '83 didn't hold the same excitement. I felt bad for Jaws: The Revenge the summer it came out in '87, as many ridiculed it before it even hit theaters. However, in full disclosure, all have become incredible, guilty pleasures. It's always nice just to be back in the Jaws world.

I've owned Jaws in every form of physical and digital media. I've devoured any book, article, and podcast, and interview about the movie. My bookshelf is jam-packed with publications about the making of the film, including a prized possession, the book The Jaws Log, signed by Carl Gottlieb, who co-wrote the screenplay. That book is courtesy of my good friend Andy, another fellow Jaws fan. Best friends for over 20 years, we refer to each other simply as Quint and Brody (I'm Quint!)

The author in Martha's Vineyard, summer of 2015,

at the dock from the movie where the

tiger shark ("A Whaaaat?!) was strung up.

In 2015, my wife, Michelle, and I made a pilgrimage to Martha's Vineyard to tour the area where Jaws was filmed in 1974 and also take one of the area's lovely Jaws tours. Two years later, we went to a local movie convention, where we were thrilled to meet Susan Backline, the actress who played Chrissy, the first victim in Jaws, as well as Hooper himself, Richard Dreyfus!

 In our home, we have three shelves filled with action figures, coffee mugs, mini posters, figurines, lunchboxes, and even sneakers, all themed after Jaws. It's my shrine to the movie.

The author and his wife Michelle

in 2017 with actress Susan Backline

(center) who played Chrissie Watkins,

the first victim in Jaws.

Jaws has always been a part of my life and always will be. It's that rare, once-in-a-lifetime movie that's gone beyond the screen and impacted our pop culture and our lives as well.

Fifty years later, as I reflect on the movie, it's also filled with memories. Each of those memories is a mirror of a specific point in my life and where I was at that time. And Jaws was always there. 

Many talk about how Jaws is an always relevant, relatable story about how evil can lurk anywhere, but can be overcome when people (like Brody, Hooper and Quint from different sections of society) come together. 

For me, like many, Jaws is the excitement of what the movies are all about – a grand, scary, funny, fulfilling adventure – told by master director Steven Spielberg who, crafts with film the way artists craft with clay. And, whether watching it in a theater or at home, it’s still a communal experience with other moviegoers. 

This summer, as I think of Jaws, I'll remember that summer of 1975, when all of us from our small town of Kings Park took safety at the Smithtown Landing Country Club Pool. Here, we knew the only sharks were those in our imaginations, filled with dreams of going to see Jaws at the theater.

Happy 50th Anniversary, Jaws!

The author and his wife, Michelle,

with Hooper himself, Richard Dreyfus,

in 2017.

For more of my articles, podcasts and books, swim over to Words From Lyons

 

 

 

 

 

A Watershed Moment in Film History: The 50th Anniversary of Jaws - Part 4

 

"We Need Summer Dollars" - "Jaws" Debuts in Theaters

Moviegoers in 1975 wait in line to see Jaws.

By Michael Lyons 

With the release of director Steven Spielberg’s Jaws in movie theaters on June 20, 1975, the Summer Movie Season was born.

Film critic Peter Biskind said of Jaws that it “diminished the importance of print reviews, making it virtually impossible for a film to build slowly finding its audience by dint of mere quality. Moreover, Jaws wet corporate appetite for big profits quickly, which is to say studios wanted every film to be Jaws.”

It's hard to believe but in the decades preceding that summer of 1975, the movie industry didn't view the summer season as a prime time to release movies. After all, if so many people were spending their time outdoors - at beaches, bar-b-ques, and vacations - who in their right mind wanted to sit inside in a movie theater?

Drive-ins during the summer were a significant source of revenue for the studios and theaters. However, most of the movies released to drive-ins were "B" movies (low-budget Westerns, sci-fi, and horror). Disney re-issued classic animated features during the summer. Before air conditioning was prevalent in most homes, movie theaters would advertise air conditioning as a draw of coming to see a movie ("It's Cool Inside!").

Movie studios saved their big movie releases for spring, fall, and the Christmas seasons, as they believed moviegoers looked to those times of year to go to the movies.

Jaws changed all of that.

It was an eagerly awaited movie because it was based on a best-selling novel by Peter Benchley, which had just been published the year before in 1974. However, the film's producers, Richard Zanuck and David Brown, along with Universal, were brilliant and savvy. 

Here was a movie set during the summer, about summer, about swimming at the beach. And they positioned it to come out just as summer was starting.

The marketing team at Universal also wisely used television to promote Jaws, flooding the airwaves with commercials. This included about two dozen 30-second advertisements airing each night in prime time.

Additionally, Jaws wasn't released to theaters like other films of the time that would open slowly in cities and then spread out to neighborhood theaters. Jaws opened everywhere on June 20, 1975, so that anyone and everyone who wanted to see it could.

Jaws made $7 million during its opening weekend (a record at the time) and grossed a record $21,116,354 in its first 10 days (recouping production costs of the troubled shoot on Martha's Vineyard). 

It grossed $100 million in its first 59 days and surpassed The Godfather as the highest-grossing film at the North American box office in just 78 days. Jaws also became the first film to earn $100 million in the U.S.

Moviegoers waited in line to see the film, then told their friends and neighbors, who also waited in line to see it. Jaws became the conversation.

And, the Summer Movie Season was born. 

Suddenly, movie studios realized that people would go to the movies during the warm weather months. They will take a break from vacations and bar-b-ques (and especially beaches, which were noticeably empty thanks to Jaws) to see a movie that everyone is talking about.

Other studios scrambled to get their Jaws, their big blockbuster. Scheduled releases of some of their biggest pictures began to shuffle to get them out in summer, and the search was on for the next big crowd-pleasing blockbuster.

That would come two summers later in 1977 with Star Wars, which sent the Summer Movie Season into hyperspace. And the fifty summers since have seen such blockbusters ranging from Spielberg’s own E.T: The Extra-Terrestrial to Batman and from The Lion King to Independence Day and from The Avengers to Barbie.

And just as Disney always says, "It all started with a Mouse," when it comes to the Summer Movie Season, "It all started with a shark."

That summer of '75, that summer of Jaws, is filled with memories that have echoed through every summer after. And memories of that summer will be shared in Part 5, the conclusion, next week.

For more of my articles, podcasts and books, head over to: Words From Lyons

Sources: Wikipedia

 

 

 

A Watershed Moment in Film History: The 50th Anniversary of Jaws - Part 3

 "A Panic on Our Hands" - Filming "Jaws"

Left to Right: Robert Shaw, Roy Scheider,

Steven Spielberg and Richard Dreyfuss

filming Jaws.

 

By Michael Lyons

Steven Spielberg had to film most of Jaws without the film's star. Oh, sure, Roy Scheider was there as Sheriff Brody, Richard Dreyfuss was there as Hooper, and Robert Shaw was there as Quint.

However, Bruce didn't show up very often. 

Bruce?!?

As almost every red-blooded Jaws fan knows, Bruce is the name given to the mechanical shark used in the production of the film. The nickname was provided by Spielberg, who gave the shark the same name as his attorney.

Jaws was the first movie to be shot on the ocean, and salt water and other weather conditions meant trouble for Bruce, who was filled with hydraulics and tubes. The mechanical shark often malfunctioned or didn't work at all.

The phrase "The shark is broken" became so iconic that the crew issued it throughout the production of Jaws. Six years ago, Ian Shaw, the son of the late actor Robert Shaw, who played Quint, co-wrote the play The Shark is Broken about the production of the film. As a true look-a-like, he also portrayed his dad in the play.

In 1974, on Martha's Vineyard, while Spielberg and crew waited for Bruce to function, other methods were used to allow the shark to still be part of the film.

A fin appearing above the water, underwater point-of-view shots from the shark's perspective, the barrels that Quint shoots via a small harpoon gun and attaches to the shark, and John Williams composing the most memorable and terrifying score of all time - these became creative ways to keep the shark in the film, when the shark couldn't be in the movie, because, well, the shark was broken.

Steven Spielberg and Bruce the shark.

This creativity and finding a way to still make Jaws without a shark also wound up increasing the film's intensity - not seeing the shark for the majority of the film became the fear of the unknown.

Still, Bruce's constant malfunctioning and the filmmakers' ability to overcome it has become the stuff of moviemaking legend.

In author Laurent Bouzereau's book Spielberg: The First Ten Years, the director talked about his relationship with Bruce the Shark: “That's a much-maligned shark, and I am kind of responsible for creating a lot of bad-mouthing about it because the shark was frustrating. It didn't really work all the time - it didn't work hardly at all. I got mad at the shark and at the people who made it, when in fact, Bob Mattey [legendary special effects artist who created the shark for the film] was the best special effects man alive. Nobody else but Bob could have made the shark work as well as it did. So he did a great job. It was just that we were shooting out on the Atlantic Ocean and not in a lazy lake - the way Hollywood movies were usually doing it. We had tides to contend with. I would often set up a shot, and suddenly, the barge holding our electrical generators would start drifting that way, the camera would barge would drift in another direction, and the Orca would move around its two anchors. Before you knew it, we were completely out of position, and it would take another hour to reset. When we were finally ready, a bunch of tourists on sailboats would show up, cross the horizon, and ruin our shot. It was just frustrating and tough on all of us - I got very angry, and of course, I blamed the shark. It seldom worked, So it was an easy target. Yet it worked well enough that we, for a while, had the biggest hit of all time. So, in the end, I really owe the shark a lot more than I want to take away from it right now. And I owe Bob Mattey and his team an apology and all my gratitude.”

Yes, indeed, Jaws was the biggest hit of all time. After all these hours, days, and months of frustration for many during the production of Jaws, it turned out to be a once-in-a-generation blockbuster that changed the movie industry and how we experience going to the movies.

But...that's a story for part 4, next week.

For more of my articles, podcasts and books, head over to: Words From Lyons

Sources: Bouzerou, Laurent, Spielberg: The First Ten Years, Insight Editions, 2023.

 

A Watershed Moment in Film History: The 50th Anniversary of Jaws - Part 2

 "It's Only An Island If You Look At It From The Water" - "Jaws" and Martha's Vineyard 

Top: the iconic intersection in Jaws' Amity island

Bottom: The author and his wife, Michelle,

at the filming location on Martha's Vineyard in 2015.

By Michael Lyons

Walking onto Martha's Vineyard in Massachusetts is like stepping back in time and onto the set of Jaws. My wife, Michelle, and I traveled to Martha's Vineyard ten years ago this summer. We took part in one of the Island's "Jaws Tours," which takes visitors to different spots used as filming locations in Steven Spielberg's iconic film.

What we learned on the tour is that The Martha's Vineyard Commission seeks to preserve historic buildings on the island. This means that a majority of the buildings have remained untouched since Jaws was filmed there in 1974, and everything looks "frozen in time" from the movie itself.

In addition to the island being a beautiful, picturesque spot to visit and vacation, going to Martha's Vineyard is absolutely magical for a Jaws Fan.

Martha's Vineyard's first encounter with Jaws occurred not during the summer when the film takes place but in December of 1973 when producers David Brown and Richard D. Zanuck came to the island to scout locations for filming.

Filming was scheduled to begin on May 2, 1974. There were hopes that the filming would start so early that it wouldn't disrupt the all-important tourist season, but it lasted through October, with many extras who were supposed to be swimming during the heat of summer, shivering on the shoreline in early fall.

Several locals were used in key roles in the film, including Lee Fierro as Mrs. Kintner (who slaps Chief Brody across the face).

In author Matt Taylor's book Jaws: Memories of Martha's Vineyard, Todd Rebello, an extra in the film, recalled: "There was a level of excitement, but the production wasn't billed as 'the big boys are coming to town.' Not many people on the island had heard of the actors or director, so I don't think we understood the magnitude of what was coming."

Since the filming, and especially since Jaws has exploded in popularity, Martha's Vineyard has fully embraced their role as the real-life Amity Island. Martha's Vineyard is filled with souvenirs, references to Jaws in shops and bars, and, of course, movie-themed tours of the island.

This summer, for the film's fiftieth anniversary, Martha's Vineyard is hosting "Amity Homecoming Weekend," from June 19-23 (for more info, click here)

All evidence of how much the production of Jaws has had an impact on this small New England island. This is best summed up best by author Edith Blake in her book On Location on Martha's Vineyard (The Making of the Movie Jaws). She wrote about what it was like when the movie production concluded: 

"As the last shout echoed in the harbor, outsized brand-new trucks arrived, and before the week was out, Jaws was gone.

...everyone was hoping the movie would be a success so they could watch it for years on the Late Show.

Not a sign was left (except perhaps in bank accounts) that an effort similar to a small war had been waged on Martha's Vineyard."

The production of Jaws was indeed that "war," filled with many battles before it made it to the screen. However, that's a story for Part 3, next week...

 

For more of my articles, podcasts and books, head over to: Words From Lyons

 

Sources: 

Blake, Edith, On Location on Martha's Vineyard (The Making of the Movie Jaws), Bunch of Grapes Press, 1975.

Taylor, Matt, Jaws: Memories of Martha's Vineyard, Titan Books, 2011

A Watershed Moment in Film History: The 50th Anniversary of Jaws - Part 1

By the Book -  How "Jaws" Swam from Page to Screen

Left to right: The cover of the first edition

of the novel Jaws, and the Jaws movie poster.

by Michael Lyons

Movies changed forever on June 20, 1975. That's the day Jaws debuted in theaters.

The iconic story of a great white shark terrorizing the waters of the small New England town of Amity Island transformed the movie industry and how we go to the movies forever.

Hard as it is to believe, this June marks the 50th anniversary of Jaws. This momentous milestone deserves to be celebrated in a big way. With that, this is the first of a five-part article looking back at Jaws and its impact on film history and pop culture. This initial article starts with where Jaws began - as a book and how it made its way to the screen.

"Might make a good movie." With that statement, David Brown, who co-produced Jaws with Richard D. Zanuck, first discovered Peter Benchley's book. Brown's wife, Helen Gurley Brown, was the editor of Cosmopolitan, and Jaws the book was being reviewed by the magazine. "Might make a good movie," was how the book editor described Jaws on a small card that Brown came across.

Zanuck and Brown immediately sought out Benchley's book. Each read it in a single day and secured the rights in 1973, a year before Jaws was published.

The novel was Benchley's first, and before it was published, the author noted in a 2005 introduction to his book that he had anything but high hopes for his work: "As Jaws was being readied for publication, my ambitions for it were modest, to say the least. I knew it couldn't possibly be commercially successful. For one thing, it was a first novel, and, with rare exceptions like Gone with the Wind, first novels tended to languish, unread, on bookstore shelves. For another, it was a first novel about a fish, and I couldn't think of any novels about fish that had achieved critical or commercial success. Furthermore, I knew for certain that no one would ever make a movie from the book because it was impossible to catch and train a great white shark, and movie-making technology was nowhere near good enough to create a believable model or mechanical version."

Not only would that movie be made, but Benchley would adapt his book into the film's screenplay. However, when a young filmmaker by the name of Steven Spielberg came aboard the project, he wanted to jettison many of the novel's subplots - such as the mob taking over Amity Island and an affair between Hooper and Mrs. Brody - and focus on the shark.

After several other writers declined to work on the script revisions for Jaws, Spielberg turned to his friend, Carl Gottlieb, who, up to this point, had worked mainly on TV sitcoms like The Odd Couple and All in the Family.

In his book, The Jaws Log, which details the making of the film, Gottlieb wrote about his reaction after reading the initial draft of the script: "...I sent Steven a long note, outlining my reactions. I thought it would make a great popular entertainment. I expressed fears that it would turn into another Poseidon Adventure or Airport, with cardboard characters doing plastic things, and I expressed hope that if it realized its full potential, the oceans of the world would be as devoid of swimmers as showers were after Alfred Hitchcock had Janet Leigh stabbed to death in the Bates Motel in Psycho."

Gottlieb, also an actor, would play the role of newspaper reporter Harry Meadows in Jaws, which was shot on location in Martha's Vineyard in Massachusetts in 1974.

Hollywood would invade that tiny island just south of Cape Cod. The great white shark and the film's production are memories that Martha's Vineyard still embraces to this very day.

But, that's a story for Part 2, next week... 

For more of my articles, podcasts and books, head over to Words From Lyons !

Sources: Benchley, Peter, Jaws, Random House, 1974, 2005

               Gottlieb, Carl, The Jaws Log, Newmarket Press, 1975

 

 

Merriment with Mom: Funny Quotes by Mothers and About Mothers from Classic TV Sitcoms

 by Michael Lyons    

There's nothing funny about all that mothers do, and have done, for us. As we get ready to celebrate Mother's Day this Sunday, we could all agree that every day should be Mother's Day.

The philosophy, the wisdom and the love that moms give us stays in our lives, forever, and some classic TV sitcoms have found their own way to put a humorous, and loving spin, on them:

 

"I detest sounding like one of those mothers who think they know it all, but unfortunately, I do. "- Endora (Agnes Moorehead) on Bewitched.

"I was five years old before I knew my father could talk. You know the first thing he said? 'Listen to your mother.'" - Rhoda (Valerie Harper), The Mary Tyler Moore Show (and eventually her own show, Rhoda).

 "It's my job to set boundaries, and your job to negotiate to change them." - Elyse Keaton to her kids on Family Ties.

 "Making a child is the easy part. The hard part is everything that comes after. Keeping them safe, making sacrifices for them. And standing by them even when they let you down." - Gloria (Sofia Vergara) on Modern Family.

"If you can raise three kids who can knock out and hog-tie a perfect stranger, you must be doing something right." - Marge Simpson (Julie Kavner) on The Simpsons.

 

All these quotes are perfect reminders to have some fun, have some laughs and have a Happy Mother's Day!

For more of my articles, podcasts and books, head over to Words From Lyons

 

 

A Galaxy Gone By: Memories of "The Empire Strikes Back," 45 Years Later

Fans wait in line outside the Loews Theatre

in New York City, to see The Empire Strikes Back,

In May of 1980.

 

by Michael Lyons 

"Something happens, and I cannot tell you what it is!"

"Aw, c'mon! Tell me!"

"Nope...I can't!"

I remember this conversation with my friend, Steve, when I returned from seeing Star Wars: The Empire Strikes Back forty-five years ago this summer.

Steve wasn't going to see it for another few days, and I was one of the lucky ones who convinced my parents to see one of the most eagerly anticipated sequels of all time. Steve wanted details, and I refused to give them.

Long before spoilers were a thing, I wasn't giving any. There was no way I could tell Steve that - and I still feel the need to type "spoiler alert" in front of this - Darth Vader was Luke Skywalker's father.

But I can remember the reaction in the theater. There wasn't a gasp as those shown in 1980 videos that have circulated on YouTube...but I do remember whispers and murmurs. I remember my dear Mom, who didn't know a thing about Star Wars but was there because I wanted to go, turning to me after the revelation and asking, "Is that bad?"

I also remember that summer, thirteen going on fourteen, I was among the many kids who were lucky enough to have seen the original Star Wars in theaters, and the anticipation in the months leading up to the release of Empire was agonizing.

Seeing those first pictures of the Stormtroopers in the snow of a place called Hoth and the offbeat way the title logo appeared on posters: "Star The Empire Strikes Back Wars," piqued my interest. There was talk of this character, Yoda, but long before the internet, there were no pictures of the character to be found. And Yoda would be performed by Frank Oz of The Muppets? What the heck did this all mean?!?

A newspaper ad for

The Empire Strikes Back.

Then, the movie opened. In New York, it opened over Memorial Day Weekend in New York City, in a limited release, and would not be coming to neighborhood theaters (like mine on Long Island) for several weeks. Tried as I might, I couldn't talk my parents into driving into the city or hopping on the Long Island Rail Road to see a movie.

But, the wait was worth it, and Empire finally opened at the RKO Twin Movie Theatre in Commack, NY, and consumed the summer - discussions with friends, looking for the latest action figures in the overly-air-conditioned Toys R Us, devouring comic books and Starlog magazine and multiple trips to Burger King to collect the entire set of drinking glasses.

The highly sought-after Empire

drinking glasses from Burger King.

And, like so many, I agree that Empire is one of the greatest sequels of all time: providing us more of the Galaxy we all loved and giving us a new adventure where the characters go on different journeys and there's development and emotion.

In addition, forty-five years later, The Empire Strikes Back also represents a time when imagination was found beyond a smartphone screen, and movies were a thing of theaters, not streaming.

It was a magical, innocent summer.

And, thankfully, Steve and I were eventually able to discuss Darth Vader and Luke Skywalker.

May the Fourth be with You!

For more of my articles, podcasts and books, head over to Words From Lyons !

 

 

 

Magic Springs Eternal: Looking Back at the "Walt Disney World Happy Easter Parade"

by Michael Lyons

For fourteen years, Disney fans looking to re-play the magic of watching the "Disney Parks Christmas Parade" in a springtime setting could do so.

From 1985 to 1999, ABC aired its counterpart, Walt Disney World's Happy Easter Parade (it aired on CBS in 1986). Joan Lunden and comedian and radio personality Rick Dees would host the first year. As this year marks the 40th anniversary of when the Parade first aired, it's the perfect time to look back at this televised Disney theme park magic of another age.

It was always great fun to see all of the Easter and springtime-themed floats, such as one featuring Mr. and Mrs. Easter Bunny (along with kids cuddling live bunnies), Pluto playing baseball during spring training, the ostrich's and hippos from Fantasia dancing alongside an oversized Easter egg, and Donald, Daisy and Huey, Dewey and Louie hitting the beach during spring break.

There was also a lovely finale, where the Azalia Trail Maids from Mobile, Alabama, escorted by Officers from the Orlando Naval Station, stroll down Main Street, USA, to the tune of Irving Berlin's "Easter Parade," as guests join in with a booming chorus.

Of course, Walt Disney World parades were also the perfect vehicle for the company to promote all happening at their theme parks and elsewhere.

The 1989 Parade provided a sneak peek at the all-new Disney-MGM Studio Theme park, which was set to open in about a month, 1990's Parade featured the Mouseketeers (yup, Britney Spears, Justin Timberlake, Ryan Gosling, and everyone else) at Typhoon Lagoon, and the 1998 Parade revealed a glimpse inside Disney's Animal Kingdom, which was only ten days away from opening.

Each Parade is also a time capsule of all that was going on in entertainment and pop culture; check out New Edition performing "Mr. Telephone Man" at Epcot in 1985 and boy band 98 Degrees performing during the last Easter Parade in 1999.

There was also a "parade" of hosts and guests through the years, including Regis Philbin, Alan Thicke, magician Doug Henning, Nancy Kerrigan, Joey Lawrence, Ben Vereen, Robby Benson, and Howie Mandel.

Thanks to YouTube, the Walt Disney World Happy Easter Parades are available, and one can truly go down a...rabbit hole...with them. 

Sure, they came off as glorified commercials for Disney, but that was all part of the charm. Now, through the soft lens of nostalgia, it's so nice to re-watch the Walt Disney World Happy Easter Parade and return to a time when the world of Disney and the world itself seemed a whole lot simpler.

Happy Easter to one and all!

For more of my articles, podcasts and books, head over to: Words From Lyons !

 

Laughs & Luck: Classic Sitcoms Celebrate St. Patrick's Day

 by Michael Lyons  

Ah, here we are - another St. Patrick's Day.  For many pop culture fans, it means cooking up some corn beef and cabbage and sitting down to watch The Quiet Man (1952), Darby O'Gill & The Little People (1959), or many other films set against the beautiful backdrop of Ireland.

But, maybe, for a change of pace (and to allow more time to devote to green beer), you could try St. Patrick's Day episodes of some classic sitcoms. You scoff? There will only be Halloween and Christmas-themed episodes of such shows!

Think again, and check out the list below:

 

"Joanie's Weird Boyfriend," Happy Days, 1977

Ok, St. Patrick's Day is only in the opening scenes of this episode, when Arnold's is decked out for its St. Patrick's Day dance. The rest of the episode centers on Joanie (Erin Moran), who decides to seek a cool boyfriend and starts hanging around with the gang, The Red Devils.

Richie (Ron Howard), Ralph (Donny Most), and Potsie (Anson Williams) wind up having to embark in a pretty hysterical rumble with the Devils - ably assisted by The Fonz (Henry Winkler) and guest star Carmine (Eddie Mekka), from Laverne and Shirley.

Before all that, though, we get some nice St. Patrick's Day goodness. Fonzie and the head of the Devils (Zooey Hall) go back and forth, forcing Richie and the band to switch from a slow to fast version of "When Irish Eyes Are Smiling," and Al (Al Molinaro) changes his name on the sign from "Al Delvecchio to Al O'Delvecchio!"

 

"Bar Wars VII: The Naked Prey," Cheers, 1993

The sitcom's battle between Cheers and rival bar Gary's Olde Towne Tavern was a recurring plot line. Each St. Patrick's Day, Sam (Ted Danson) and the employees and regulars at Cheers would try to "one up" Gary with elaborate practical jokes.

This one from the final season of Cheers is the best. Guest star Harry Anderson, as "Harry the Hat," gets involved, and soon, Sam finds that a concrete wall has been constructed on his bar, and, in retaliation, he winds up bulldozing Gary's tavern to the ground.

During the episode, as Cheers readies for a busy St. Patrick's evening, they hire a traditional Irish band, who, instead of upbeat jigs, perform some of the most depressing and hysterical songs you've ever heard.

 

"St. Patrick's Day," The Office, 2010

It's a classic episode from a now-classic sitcom.

Kathy Bates guest stars as Jo Bennet, a taskmaster CEO, who is in town and making the team work late, even though it's St. Patrick's Day. This, of course, is to the dismay of clueless Manager Michael Scott (Steve Carell).

There's plenty of green, along with plenty of cringy shenanigans, as always (including a great St. Patrick's Day conclusion at the local bar). 

And, as always, the episode is full of great dialogue and Michael Scott's skewed thoughts: "Here in Scranton, St. Patty's Day is a big deal. It is the closest thing the Irish will ever have to Christmas."

If that's the case, these three episodes will help everyone have a Very Merry Saint Patrick's Day!

For more of my articles, podcasts and books, head over to Words From Lyons !

 

Crystal & Gold: Looking Back at Some of Billy Crystal's Best Oscar Moments

by Michael Lyons    

"Is that for me, or are you just glad I'm not Snow White?" That is what Billy Crystal quipped when he came out on stage to applause for his first Oscar-hosting gig 35 years ago.

Crystal came in as host after what many consider one of the worst and most embarrassing moments in Oscar Award show history in 1989 when a big, musical number extravaganza kicked off the show, headlined by Rob Lowe and Snow White.

While it may be tough to pick a favorite host of the Academy Awards, and each brings their style and flair - can't wait to see Conan O'Brien's offbeat humor on the Oscar stage - Billy Crystal stands out as a host who was part of many iconic moments.

In honor of the 35th anniversary of Crystal's first of nine appearances as an Oscar host, here are some of the highlights through the years.

In his first year in 1990, Crystal poked fun at the Oscar show itself right out of the gate by creating a medley of the five nominated films to the tune of other songs, sending up the big, flashy opening numbers (like the one from the year before). 

We were treated to "Me and My Left Foot," to the tune of "Me and My Shadow," and Born on the Fourth of July to "Born in the USA." This musical opening would become a tradition through the years, with such hysterical songs as Unforgiven to the tune of "Unforgettable" and Titanic in the guise of the Gilligan's Island theme.

Crystal also found memorable ways to enter the stage and start the show - in 1991, he rode out on a horse in a parody of Dances With Wolves. In '92, he was rolled out as Hannibal Lecter and went out to Anthony Hopkins in the audience, with the Lecter face mask on, to let the actor know he was "having some members of the Academy over for dinner." 

The comedian's ability to think on his feet was always on full display. When Crystal introduced legendary silent filmmaker Hal Roach for his 100th birthday, Roach stood up to a standing ovation and made an impromptu speech without a microphone. No one could hear a word he said, and all one could see was Mr. Roach mouthing words.

When the camera came back to Crystal, he noted how perfect that was as Mr. Roach started in silent films.

Then, there was the famous year that Jack Palance, winning supporting actor for Crystal's film City Slickers, decided to do a one-arm push-up during his acceptance speech. Crystal made this a recurring joke throughout that year's show, at one point saying, "Jack Palance just bungee jumped off the Hollywood sign!"  It continued the following year as Crystal entered the stage riding on a giant Oscar statue, being pulled by Palance.

Crystal also had great interactions with the actors and actresses in attendance, particularly Jack Nicholson, during his years sitting in the front row sporting sunglasses. One year, Crystal noted that how Nicholson looked at him made him feel like a Lakers girl.

In later years, Crystal would have a camera capture different stars in the audience and would pretend to "read their minds." Best of all, the actors had no idea it was happening. While the camera was on Dame Judi Dench, Crystal noted, "God, this thong is killing me!"

Another year, Crystal kicked off the awards presentation by saying, “Nothing can take the sting off the world's economic problems like watching millionaires present each other golden statues."

Billy Crystal definitely knew his audience - in the auditorium and at home. His shows were always pure Oscar gold! 

For more of my articles, podcasts and my books, head over to Words From Lyons